Trinity Smith Keel is masterful in ArchNemesis’ debut production.
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Trinity Smith Keel is masterful in ArchNemesis’ debut production.
Fitzgerald purists may pick apart this adaptation’s choices, but the musical is undeniably entertaining and often impressive, with a number of standout songs.
The onstage format may be the best way to experience “Tiny Beautiful Things,” and in this production director Angie Flynn-McIver keeps the tone heartfelt but low-key.
Shaina Taub’s award-winning musical about the women's suffrage movement is entertaining and educational.
The new company’s debut production deftly combines comedy and existential angst.
“Hell’s Kitchen” was created to showcase Alicia Keys’ songs, and that it does, as each tune is passionately delivered by an ensemble with deep wells of talent.
The latest “Jeeves” production offers some much-needed comforting comic chaos.
The classic S.E. Hinton novel mostly translates well as a stage musical.
Our reviewers reflect on their favorite theater experiences of the past year.
Don’t miss Mildred Inez Lewis’ remarkable, 1940s Asheville-set reimagining of Sophocles’ “Electra.”
Any time is a good time to revisit The Sound of Music, and this is a top-notch effort, with a likable, talented cast and grand staging.
The fact-based drama inspires sharp performances and thought-provoking ambiguities.
The 50-year-old cult classic receives a riotous revival on the local stage.
In a pair of disaster-set one-acts, playwright Travis Lowe, The Sublime Theater, and a capable cast consider whether the end of the world as we know it can also generate hope for the future — with nods to George Orwell, Chappell Roan, falafel, and a charred mermaid.
Set entirely on an anchored fishing boat, this play pulls off a remarkable feat: You’ll believe you’re watching the three stars of Steven Spielberg’s “Jaws” behind the scenes when it was being filmed in 1974.
A Broadway revival of Yasmina Reza’s Tony-winning play is running right now, but I can’t imagine enjoying the New York show more than I did the Black Mountain production.
Revisiting the Agatha Christie mystery is a pleasure, a new encounter with a favorite tale, reimagined for the Flat Rock stage with a well-selected cast, an amazing set, and a welcome if unexpected dose of humor.
The King of Pop’s story returns to town with another talented cast and crew.
Three actors cover significant ground in Lisa Langford’s existential, slightly alternative depiction of today's world.