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Not strictly a parody or a spoof, this production is more of an affectionate retelling of Austen’s enduring love story that underscores the aspects of the narrative that can seem rather silly today.
Veanna Black dazzles in this thoroughly engaging one-woman show.
Alternating between 1911 and the present, David Brendan Hopes’ thought-provoking new play considers individual responses to tyranny among small circles of friends in two centuries.
With two talented, charismatic actors facing off, sometimes mere inches away, it’s a theatrical experience not to be missed.
This colorful, big-hearted show is bursting with enthusiasm.
Trinity Smith Keel is masterful in ArchNemesis’ debut production.
Fitzgerald purists may pick apart this adaptation’s choices, but the musical is undeniably entertaining and often impressive, with a number of standout songs.
The onstage format may be the best way to experience “Tiny Beautiful Things,” and in this production director Angie Flynn-McIver keeps the tone heartfelt but low-key.
Shaina Taub’s award-winning musical about the women's suffrage movement is entertaining and educational.
The new company’s debut production deftly combines comedy and existential angst.
“Hell’s Kitchen” was created to showcase Alicia Keys’ songs, and that it does, as each tune is passionately delivered by an ensemble with deep wells of talent.
The latest “Jeeves” production offers some much-needed comforting comic chaos.
The classic S.E. Hinton novel mostly translates well as a stage musical.
Our reviewers reflect on their favorite theater experiences of the past year.
Don’t miss Mildred Inez Lewis’ remarkable, 1940s Asheville-set reimagining of Sophocles’ “Electra.”
Any time is a good time to revisit The Sound of Music, and this is a top-notch effort, with a likable, talented cast and grand staging.
The fact-based drama inspires sharp performances and thought-provoking ambiguities.
The 50-year-old cult classic receives a riotous revival on the local stage.
In a pair of disaster-set one-acts, playwright Travis Lowe, The Sublime Theater, and a capable cast consider whether the end of the world as we know it can also generate hope for the future — with nods to George Orwell, Chappell Roan, falafel, and a charred mermaid.
