Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
All in One act
Actors become directors, writers become actors, and actors pull off double or triple roles throughout the productions.
The dozen plays cover everything from the 1800s to the indeterminate future, and the middle of the ocean to a colony on Mars.
Mike Wiley’s “documentary theater” tells riveting first-person tales of the Freedom Riders from 1961, a pivotal moment in the Civil Rights struggle.
With a stellar cast, the laugh-out-loud musical now at SART explores every possible high and low of a “First Date.”
After more than a year of isolation, SART returns to live theater with a two-person musical about… isolation.
Ripper and Abomination: Memoir of Ambiguity are remarkable new theater works performed at the Asheville Fringe Festival on Friday.
A fully standalone drama — no need to revisit the Ibsen — its rapid-fire dialogue keeps you glued to the action. And it’s far funnier than you might expect.
In two short one act plays, writer Monica McDaniel takes some unusual dramatic approaches to difficult material: molestation and rape.
This autobiographical one-woman one-act from Murphy Funkhouser-Capps is confessional and often funny. And it’s one of two shows she’s doing in repertory.
