Music, acting, projections, and sound effect bring World War I to life.
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All in Period setting
Music, acting, projections, and sound effect bring World War I to life.
In this hilarious show, the cast of nearly 16 characters is performed by only four actors who take on over 150 roles.
Frank Calamaro anchors a strong ensemble in this timely production.
The Frankie Valli and the Four Seasons jukebox musical delivers steady delights.
This period tale is an irreverent romp (albeit with bloody implications) and a devilish deconstruction of the old “sold my soul to the devil” trope.
The Bob Dylan jukebox musical is a treat for fans and the uninitiated alike.
British and American sensibilities collide to brilliant comic ends in the latest Jeeves production.
The 2022 reimagining of the Tony-winning musical adds new layers to the work, some of which enhance the experience while others just miss the mark.
Some of the Asheville area’s best actors serve up theatrical comfort food, with rapid-fire wit and physical comedy.
A new production of Rogers & Hammerstein’s “Oklahoma” both deconstructs the show and offers many of its usual pleasures.
The latest radio play from Immediate Theatre Project offers a dystopian thriller, a crackerjack cast, and entertaining live sound effects.
The stage version of the 1980s movie comedy based on the board game provides some serious silliness — and good reason to return to ACT.
Cheerful, heartfelt laughs abound throughout this delightful musical comedy.
The fifth in this series of comedies is another hilarious triumph. Get your tickets soon, since the NC Stage Co. run is already beginning to sell out.
The classic musical has a modern feel, magnificent sets and costumes, and goosebumps-inducing musical numbers.
For anyone with a love of pop music and singer-songwriter genius, there’s no better way to start the New Year than with this Broadway musical.
James Vaughn is brilliant as Kris Kringle, but the adaptation offers few moments for other characters and story lines to shine.
Henry James imagined a mansion, two creepy kids, a troubled governess, and some malevolent spirits. This adaptation makes do with just the governess.
A fully standalone drama — no need to revisit the Ibsen — its rapid-fire dialogue keeps you glued to the action. And it’s far funnier than you might expect.
The latest winner at Flat Rock Playhouse manages to lovingly lampoon gospel performers while simultaneously presenting a reverent portrait of Christian life.