After more than a year of isolation, SART returns to live theater with a two-person musical about… isolation.
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All in Adult material
After more than a year of isolation, SART returns to live theater with a two-person musical about… isolation.
Was Spanko the best show at this past weekend’s Asheville Fringe Arts Festival? Also, visits with Charlie Mean and Tales from the Chernobyl Disaster.
With Dinner Bell, Taproot taps into the duality of the South: honey-sweet hospitality coupled with hypocrisy. Plus: Visits to Centrifuge and Monsters Under the Bed.
The play is an acting tour de force, trapping two characters with secrets — and a rapt audience — in a cabin in Alaska for 100 intense minutes.
The beloved, annual vaudeville-style holiday sketch show comes to a glorious end after a 10-year run.
A fully standalone drama — no need to revisit the Ibsen — its rapid-fire dialogue keeps you glued to the action. And it’s far funnier than you might expect.
In two short one act plays, writer Monica McDaniel takes some unusual dramatic approaches to difficult material: molestation and rape.