Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
The comedy, adapted for live performance via Zoom, comes close to recreating the particular thrill that comes with a unique, in-person experience.
After a long pandemic winter, the Magnetic’s outdoor theater show, “something i cared about,” feels authentic and radical.
This one-woman show about a nun during a worldwide pandemic really deserves your full attention. It definitely touches a nerve.
Musical duo Cookie Tongue combine their songs with a variety of mediums, and if you abandon yourself to the chaos, it’s really quite beautiful.
A fascinating retelling of the last witch burning in Ireland takes on additional meaning in the COVID era..
Brian Feldman’s immersive solo Zoom performance fully embraces the digital medium.
The musical adaptation of the 1982 B-movie is creative, engaging, weird, and more than a little grotesque.
Siobhan O’Loughlin is the artist who, thus far, has come closest to creating an intimate virtual theatrical experience.
This is quality family theater, with enthusiastic children in all the key roles save for that amazing, pig-friendly spider named Charlotte.
35below’s latest two-hander features mesmerizing performances despite only partially resonant writing.
Cheerful, heartfelt laughs abound throughout this delightful musical comedy.
You will believe a carpet can fly.
Local playwright Peter Lundblad’s world premiere is like hanging out with a smart friend who makes you feel a little smarter, too.
The tribute band does its job well — connecting us not only with the music, but with all the memories we attach to these iconic songs.
The fifth in this series of comedies is another hilarious triumph. Get your tickets soon, since the NC Stage Co. run is already beginning to sell out.
The classic musical has a modern feel, magnificent sets and costumes, and goosebumps-inducing musical numbers.
Was Spanko the best show at this past weekend’s Asheville Fringe Arts Festival? Also, visits with Charlie Mean and Tales from the Chernobyl Disaster.
With Dinner Bell, Taproot taps into the duality of the South: honey-sweet hospitality coupled with hypocrisy. Plus: Visits to Centrifuge and Monsters Under the Bed.
Ripper and Abomination: Memoir of Ambiguity are remarkable new theater works performed at the Asheville Fringe Festival on Friday.
