Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
This production makes a strong case for the continued importance of this play about patriotism on steroids, one of Sam Shepard’s last.
Henry James imagined a mansion, two creepy kids, a troubled governess, and some malevolent spirits. This adaptation makes do with just the governess.
A fully standalone drama — no need to revisit the Ibsen — its rapid-fire dialogue keeps you glued to the action. And it’s far funnier than you might expect.
Judy Calabrese fixes her gaze on sexuality so cleverly, so humorously, so humanly, it will make anyone and everyone re-examine their own erotic odysseys.
The latest winner at Flat Rock Playhouse manages to lovingly lampoon gospel performers while simultaneously presenting a reverent portrait of Christian life.
A true community production, the beloved story onstage is even more musical than the movie on which it’s based.
The musical adaptation of Roald Dahl’s beloved story yields plentiful nostalgic joy.
A sort-of ghost story, the world premiere drama plays with time travel in order to address the complicated legacy of female artists.
Mike Wiley gives another masterful performance in his latest one-man show at NC Stage Co.
Get ready for a nonstop, thoroughly entertaining revue of familiar music performed by a diverse and talented cast of singers, dancers and musicians.
The Sublime Theater is presenting this remarkable three-week project of free readings of three new plays about President Lincoln.
In two short one act plays, writer Monica McDaniel takes some unusual dramatic approaches to difficult material: molestation and rape.
This autobiographical one-woman one-act from Murphy Funkhouser-Capps is confessional and often funny. And it’s one of two shows she’s doing in repertory.
The delightful duo of Scott Treadway and JP Sarro earn steady laughs as a pair of mismatched Little League baseball coaches.
It’s a show about connections — making them, breaking them and missing them … as when you board the wrong bus and wind up in the middle of nowhere.
ACT’s production of this Pulitzer Prize-winning play packs an emotional wallop but never panders to the audience.
This play, based on a real-life theater controversy, is a joyful, gripping production, filled with song and dance and humor and profound emotion.
There’s no tip jar or cocktail service, but ACT is hosting a Cole Porter-themed piano bar through Aug. 25.
The Elvis jukebox musical is so overwhelmingly positive that the Playhouse may as well offer theatergoers a satisfaction guarantee.
