A small but chemistry-rich ensemble propels this print media drama.
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Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
All in Drama
Thanks to sharp direction and engaging performances, the speculative sci-fi drama avoids feeling heavy-handed.
Jeffries Thaiss and Ben Mackel prove a dynamic duo in this new old adaptation.
A new production of Rogers & Hammerstein’s “Oklahoma” both deconstructs the show and offers many of its usual pleasures.
The latest radio play from Immediate Theatre Project offers a dystopian thriller, a crackerjack cast, and entertaining live sound effects.
Mike Wiley’s “documentary theater” tells riveting first-person tales of the Freedom Riders from 1961, a pivotal moment in the Civil Rights struggle.
The Magnetic Theatre resumes live, indoor performances with this modern telling of the Persephone myth.
After a long pandemic winter, the Magnetic’s outdoor theater show, “something i cared about,” feels authentic and radical.
This is quality family theater, with enthusiastic children in all the key roles save for that amazing, pig-friendly spider named Charlotte.
35below’s latest two-hander features mesmerizing performances despite only partially resonant writing.
Local playwright Peter Lundblad’s world premiere is like hanging out with a smart friend who makes you feel a little smarter, too.
With Dinner Bell, Taproot taps into the duality of the South: honey-sweet hospitality coupled with hypocrisy. Plus: Visits to Centrifuge and Monsters Under the Bed.
The play is an acting tour de force, trapping two characters with secrets — and a rapt audience — in a cabin in Alaska for 100 intense minutes.
James Vaughn is brilliant as Kris Kringle, but the adaptation offers few moments for other characters and story lines to shine.
The English/Hebrew romantic comedy is a satisfying little stocking stuffer.
C.S. Lewis’ beloved tale inspires strong performances from a cast composed almost exclusively of children.
A gifted quartet brings Donald Margulies’ Pulitzer Prize-winner to vivid life.
This production makes a strong case for the continued importance of this play about patriotism on steroids, one of Sam Shepard’s last.
Henry James imagined a mansion, two creepy kids, a troubled governess, and some malevolent spirits. This adaptation makes do with just the governess.
