Jeffries Thaiss and Ben Mackel prove a dynamic duo in this new old adaptation.
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Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
All in Drama
Jeffries Thaiss and Ben Mackel prove a dynamic duo in this new old adaptation.
A new production of Rogers & Hammerstein’s “Oklahoma” both deconstructs the show and offers many of its usual pleasures.
The latest radio play from Immediate Theatre Project offers a dystopian thriller, a crackerjack cast, and entertaining live sound effects.
Mike Wiley’s “documentary theater” tells riveting first-person tales of the Freedom Riders from 1961, a pivotal moment in the Civil Rights struggle.
The Magnetic Theatre resumes live, indoor performances with this modern telling of the Persephone myth.
After a long pandemic winter, the Magnetic’s outdoor theater show, “something i cared about,” feels authentic and radical.
This is quality family theater, with enthusiastic children in all the key roles save for that amazing, pig-friendly spider named Charlotte.
35below’s latest two-hander features mesmerizing performances despite only partially resonant writing.
Local playwright Peter Lundblad’s world premiere is like hanging out with a smart friend who makes you feel a little smarter, too.
With Dinner Bell, Taproot taps into the duality of the South: honey-sweet hospitality coupled with hypocrisy. Plus: Visits to Centrifuge and Monsters Under the Bed.
The play is an acting tour de force, trapping two characters with secrets — and a rapt audience — in a cabin in Alaska for 100 intense minutes.
James Vaughn is brilliant as Kris Kringle, but the adaptation offers few moments for other characters and story lines to shine.
The English/Hebrew romantic comedy is a satisfying little stocking stuffer.
C.S. Lewis’ beloved tale inspires strong performances from a cast composed almost exclusively of children.
A gifted quartet brings Donald Margulies’ Pulitzer Prize-winner to vivid life.
This production makes a strong case for the continued importance of this play about patriotism on steroids, one of Sam Shepard’s last.
Henry James imagined a mansion, two creepy kids, a troubled governess, and some malevolent spirits. This adaptation makes do with just the governess.
A fully standalone drama — no need to revisit the Ibsen — its rapid-fire dialogue keeps you glued to the action. And it’s far funnier than you might expect.
Judy Calabrese fixes her gaze on sexuality so cleverly, so humorously, so humanly, it will make anyone and everyone re-examine their own erotic odysseys.
A sort-of ghost story, the world premiere drama plays with time travel in order to address the complicated legacy of female artists.
