Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
The dozen plays cover everything from the 1800s to the indeterminate future, and the middle of the ocean to a colony on Mars.
The beloved musical is worth seeing for its spectacle, not its songs or writing.
Sophocles’ tragedy continues to resonate and is an excellent fit for the Community Tour.
The funny, bloody, and even insightful wild romp closes out ACT’s 2022-23 season.
The bluegrass musical set in Prohibition-era Appalachia is full of big laughs and strong performances.
The material is a particularly terrific fit for FRP, whose Leiman Mainstage feels almost custom made for a cast and production of this size.
One would be hard-pressed to say they’ve had more fun at either a Broadway show or a concert in a long time.
Written in 2017, the play has been preserved almost entirely in its pre-pandemic form.
The 2022 reimagining of the Tony-winning musical adds new layers to the work, some of which enhance the experience while others just miss the mark.
Over the course of 28 short vignettes, the performance employs monologues, music, poetry, and skits to add layer after layer to the complexity of the situations teachers and students confront every day.
The Alanis Morissette jukebox musical addresses hot-button topics in memorable ways.
This true ensemble honors the humor and heart of Robert Harling’s family-inspired play.
Strong performances and provocative ideas abound in this all-female production.
Nemesis Theatre Co.’s entertaining production of the Shakespeare play ably blends modernism and reverence to the source material.
The Man in Black’s music receives a top-notch tribute, but the storytelling proves less convincing.
Aaron Sorkin’s stage adaptation of Harper Lee’s novel is destined to go down as one of the all-time great works of theater.
Cindy Williams’ play lures you in, making it impossible to abandon the things it has revealed without seeing how it resolves.
Andrew Lloyd Webber mainstay has surprisingly little to offer besides sheer sensory overload.
Christopher Durang’s Tony-winning, Chekhov-riffing play is a long but worthwhile sit.
