What are musicians playing Asheville this holiday weekend thankful for in 2022?
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Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
What are musicians playing Asheville this holiday weekend thankful for in 2022?
The majestic doom of the group’s droning post-rock epics provided an oddly satisfying sense of relief.
The Canadian quintet enhanced an already strong year of female-fronted rock bands touring through Asheville.
The Okkervil River mainstay brings his new solo project to The Grey Eagle on Nov. 14.
The talented guitarist/vocalist brings her band to Boone’s Appalachian Theatre on Nov. 13.
The eclectic rockers returned to their favorite Asheville venue for a memorable Halloween show.
The legendary Outkast MC played memorable yet all-too-brief set to celebrate the venue’s 20th anniversary.
Decked out in Halloween costumes, the Americana stalwarts closed out The Peel’s 20th anniversary festivities.
The Pinkerton Raid plays a record release show, Nov. 4 at Highland Brewing Co.
Drunken Prayer plays a full band show Nov. 5 at Fleetwood’s and a solo show Nov. 13 on The Grey Eagle patio.
The prolific rocker further established himself as one of our greatest live performers and recording artists.
The French trio journed through stamina-testing krautrock rhythms, Hendrix-tinted guitar fissures, and thundering undulations of electronic waves.
The Australian psych rockers’ twice-delayed show was well worth the wait.
The avant-pop legends played a set of mostly deep cut, but saved room at the end for the hits.
One of the most exciting young artists out of L.A.’s incredible scene gave a top-notch performance at the Asheville venue.
The eclectic indie rockers welcomed the Asheville crowd — and our reporter — into their community.
The “desert noir” septet reminded concertgoers how great horns sound in The Peel.
The of Montreal front-person and their band play The Grey Eagle on Oct. 16.
