The artists memorably fused jazz with punk, hardcore, and post-rock.
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The artists memorably fused jazz with punk, hardcore, and post-rock.
Nathan Bowles, Jaime Fennelly, and Joe Westerlund dropped their instrumental house on the Asheville crowd like a bunch of Dorothys.
Guitarists Stephen O'Malley and Greg Anderson unleashed a brutally loud, sustained noise capable of drowning out a rocket launch. It was an oddly beautiful auditory assault.
Three of Animal Collective’s four members showcased their skills via solo sets and collaborations.
The experimental evening showcased the Asheville-native harpist, Tashi Dorji, Efrim Manuel Menuck, and more.
The instrumental quintet noticeably connected with the appreciative crowd.
The guitarist/vocalist plays The Grey Eagle with Stephen Hodges and Mike Watt on Oct. 18.
The San Francisco group’s magical performance left attendees foaming at the mouth for more.
The electronic legends continued to evolve with their latest appealing lineup.
The instrumental ensemble solidified its greatness on the outdoor stage.
Two of music’s most entertaining acts lived up to their billing.
Our intrepid reporter biked around West Asheville on the inaugural festival’s opening night.
The majestic doom of the group’s droning post-rock epics provided an oddly satisfying sense of relief.
The French trio journed through stamina-testing krautrock rhythms, Hendrix-tinted guitar fissures, and thundering undulations of electronic waves.
The of Montreal front-person and their band play The Grey Eagle on Oct. 16.