Welcome to my blog. I document my adventures in travel, style, and food. Hope you have a nice stay!
Cindy Williams’ play lures you in, making it impossible to abandon the things it has revealed without seeing how it resolves.
Andrew Lloyd Webber mainstay has surprisingly little to offer besides sheer sensory overload.
Christopher Durang’s Tony-winning, Chekhov-riffing play is a long but worthwhile sit.
Child-free comic Jamie Campbell addresses fatherhood in this entertaining one-man show.
Grail Moviehouse played host to a collection of compelling, experimental cinema.
The rock opera from Asheville-based band Smooth Goose is full of self-aware silliness.
Scott Treadway adds to his illustrious career with this mesmerizing one-man show.
The transitions between characters in this post-9/11 musical is almost flawless, even when juggling multiple accents.
Occurring at the same time as “Miss Bennet: Christmas at Pemberley,” the play focuses more on the lives of the household staff at the titular home.
The “so bad it’s good” movie receives a riotous stage adaptation from Rodney Smith.
Writer/director Skyler Goff puts a darkly comic twist on the Dickens classic.
The modern holiday classic translates nicely to musical theater form.
The holiday tradition returns — as does Stages co-founder Bruce Steele!
Mary Shelley’s novel and its legacy receive a fascinating, immersive stage adaptation.
The intermission-free 100 minutes fly by thanks to sharp comedic performances and active pacing.
In ACT’s hands, Thornton Wilder’s 1938 play feels poignant, endearing, heartbreaking, sometimes contradictory, and certainly timeless.
