This circus-inspired take on the beloved musical works wonders in numerous ways.
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All in Musical
This circus-inspired take on the beloved musical works wonders in numerous ways.
The beloved musical is worth seeing for its spectacle, not its songs or writing.
The funny, bloody, and even insightful wild romp closes out ACT’s 2022-23 season.
The bluegrass musical set in Prohibition-era Appalachia is full of big laughs and strong performances.
The material is a particularly terrific fit for FRP, whose Leiman Mainstage feels almost custom made for a cast and production of this size.
One would be hard-pressed to say they’ve had more fun at either a Broadway show or a concert in a long time.
The 2022 reimagining of the Tony-winning musical adds new layers to the work, some of which enhance the experience while others just miss the mark.
The Alanis Morissette jukebox musical addresses hot-button topics in memorable ways.
The Man in Black’s music receives a top-notch tribute, but the storytelling proves less convincing.
Andrew Lloyd Webber mainstay has surprisingly little to offer besides sheer sensory overload.
The rock opera from Asheville-based band Smooth Goose is full of self-aware silliness.
The transitions between characters in this post-9/11 musical is almost flawless, even when juggling multiple accents.
The modern holiday classic translates nicely to musical theater form.
The holiday tradition returns — as does Stages co-founder Bruce Steele!
The ambitious musical features a fascinating, emotionally-rich take on Quasimodo.
The UNC Chapel Hill grad plays Aaron Burr in “Hamilton,” June 7-19 at the Peace Center.
Sam Phillips brings Elvis Presley, Johnny Cash, Carl Perkins, and Jerry Lee Lewis to Sun Records for one rocking night.
This superb jukebox musical about The Andrew Sisters is impeccably cast and performed.