Director Dwight Chiles leans into the comedic side of Shakespeare’s play in just about every element of his production.
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All in Comedy
Director Dwight Chiles leans into the comedic side of Shakespeare’s play in just about every element of his production.
The funny, bloody, and even insightful wild romp closes out ACT’s 2022-23 season.
The bluegrass musical set in Prohibition-era Appalachia is full of big laughs and strong performances.
The material is a particularly terrific fit for FRP, whose Leiman Mainstage feels almost custom made for a cast and production of this size.
Written in 2017, the play has been preserved almost entirely in its pre-pandemic form.
The Alanis Morissette jukebox musical addresses hot-button topics in memorable ways.
This true ensemble honors the humor and heart of Robert Harling’s family-inspired play.
Strong performances and provocative ideas abound in this all-female production.
Nemesis Theatre Co.’s entertaining production of the Shakespeare play ably blends modernism and reverence to the source material.
Cindy Williams’ play lures you in, making it impossible to abandon the things it has revealed without seeing how it resolves.
Christopher Durang’s Tony-winning, Chekhov-riffing play is a long but worthwhile sit.
Child-free comic Jamie Campbell addresses fatherhood in this entertaining one-man show.
Scott Treadway adds to his illustrious career with this mesmerizing one-man show.
The “so bad it’s good” movie receives a riotous stage adaptation from Rodney Smith.
Writer/director Skyler Goff puts a darkly comic twist on the Dickens classic.
The modern holiday classic translates nicely to musical theater form.
The intermission-free 100 minutes fly by thanks to sharp comedic performances and active pacing.
The theater’s Black Box Series kicked off in hilarious, spectacular fashion.