The solo set showed off his wit, charm, songwriting skills and mastery of the guitar.
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All in Rock
The solo set showed off his wit, charm, songwriting skills and mastery of the guitar.
Asheville-based singer/songwriter Roberto Carlos Lange plays Eulogy on April 21.
The Brits’ understated instrumentation, muted vocals, and shoegazey guitar rock made for a mellow but engaging show.
Our reviewer describes the rockers as “the most welcoming and comforting live band” he’s seen in quite some time.
Battle-tested singer/songwriter Josiah Leming enchanted the Asheville crowd with his solo set.
The goth rocker largely kept things low-key, but showed thrilling flashes of greatness.
The NYC-based quartet established themselves as the perfect band for intimate rock and punk venues.
Employing carefully honed techniques, the prog trio often sounded like a lot more than three musicians.
The NYC trio played a concert so fully satisfying that every song could be considered the night’s standout.
The Colorado-based neo-acoustic quartet inspired dreams of movement during their seated show.
Asheville Stages was there as the Oscar-nominee paid homage at R.E.M. Central — and all four members shared a stage for the first time in 17 years.
Impending Joy celebrated its debut record release show with some talented friends.
The Berlin-based quartet snuck in a sonically rich Asheville show between opening gigs with Tool.
Slash, Billy F Gibbons, and Jason Bonham led an all-star, rock-forward edition of the annual show.
Guitarists Stephen O'Malley and Greg Anderson unleashed a brutally loud, sustained noise capable of drowning out a rocket launch. It was an oddly beautiful auditory assault.