While the production loses its footing in a few places, it generally guides audiences to satisfying views of the musical's iconic vistas.
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While the production loses its footing in a few places, it generally guides audiences to satisfying views of the musical's iconic vistas.
Nearly 60 years after its debut, the Broadway classic still packs a punch.
The Frankie Valli and the Four Seasons jukebox musical delivers steady delights.
Ari Groover does right by the Queen of Rock 'n’ Roll in this lively musical.
Triple threat Katerina McCrimmon establishes herself as one of the great Fanny Brices.
The Michael Jackson musical is the complete package.
Hanley Smith dazzles in this entertaining and thought-provoking production.
The Man in Black’s music receives a top-notch tribute, but the storytelling proves less convincing.
The transitions between characters in this post-9/11 musical is almost flawless, even when juggling multiple accents.
Mike Wiley returns to the downtown theater for another memorable performance.
This powerful, Jena Six-inspired drama is a true ensemble work from top to bottom.
This superb jukebox musical about The Andrew Sisters is impeccably cast and performed.
Mike Wiley’s “documentary theater” tells riveting first-person tales of the Freedom Riders from 1961, a pivotal moment in the Civil Rights struggle.
Was Spanko the best show at this past weekend’s Asheville Fringe Arts Festival? Also, visits with Charlie Mean and Tales from the Chernobyl Disaster.
For anyone with a love of pop music and singer-songwriter genius, there’s no better way to start the New Year than with this Broadway musical.
Judy Calabrese fixes her gaze on sexuality so cleverly, so humorously, so humanly, it will make anyone and everyone re-examine their own erotic odysseys.
Mike Wiley gives another masterful performance in his latest one-man show at NC Stage Co.
The Sublime Theater is presenting this remarkable three-week project of free readings of three new plays about President Lincoln.
This autobiographical one-woman one-act from Murphy Funkhouser-Capps is confessional and often funny. And it’s one of two shows she’s doing in repertory.
This play, based on a real-life theater controversy, is a joyful, gripping production, filled with song and dance and humor and profound emotion.